To do that just turn off Edit Objet mode (“T” hotkey) and pick a brush you need.ĥ. If you want to stay in ZBrush just convert sphere to pixols and use ZBrush 2D brushes. Exported image you can edit in Photoshop and do whatever you want from changing color to adding more highlights. Make sure your preview shadows are turned OFF in render menu.Ĥ. Cool thing about MatCap I’d like to mention is that it’s easy to refine it if you’re looking for something more specific.ġ.Create a square size document, 1024x1024 is fine.Ģ.Press “AAHalf” button to get Antialiased half sized image.ģ.Create a sphere, subdivide it a couple times until you get it smooth, apply a MatCap you want to refine and export image. To render this image I apply many different materials to the model and then combined the renders in Photoshop using blending modes of layers. I’ve found at ZBC tons of super-cool materials and I take my opportunity here to thank those people who do such great stuff and share that to ZBC community. Also if you have too noisy shadows you can increase rays amount to get smoother GI effect Depending on what kind of lighting you want to get you may want to adjust these values. You can play with Shadow Curve and Shadow Length setting. Here is my light settings I used for rendering this model. So I usually render bunch of images with different materials and light setup and just combine them together. Dealing with MatCap you get only shadow orientation because MatCap material already keeps information about color of the light.
#Zbrush skin texture copy object full#
For example: If you change the position of light and use Best render with Shadows turned on for Standard materials you get the full response of your settings including color of the light, highlight and shadow orientation. One thing you have to keep in mind is that the light in ZBrush doesn’t affect the same way to MatCap as it does to standard materials. You can also add some dirt using Simple Brush with Spray stroke and mode set to RGB. I used alphas of damaged metal, bullet holes, some logos, etc. Also make sure you apply it at Zadd or Zsub mode. Use Directional Brush with Stroke set to DragRect and Texture turned off.
You can use that as advantage and add more small details to the surface. It will convert everything you have on canvas to pixols.
Here is how it works:Īfter that you may no longer worry about the model itself and just concentrate on rendering. So you can group your mask colors depending on what kind of material you have. As result you get just one image with separated colors for different subtools. There is also an alternative way to do that: Select each one of your subtools and fill it with a certain color from the ZBrush color palette. So just go through all subtools one by one and export image with Flat render turned on.Īs result you get bunch of images with masking for each separate subtools. You will need masks for easier selections at further comp stage. Set up your model on the canvas as you want to see it rendered. I also press AAHalf button to see a preview for smooth-rendered antialiased image. I do that every time I render any model in ZBrush because in the end I shrink the image at half size to get rid of “jagged” lines. Create cool renders using ZBrush and Photoshop.Ĭreate new document with size twice as bigger as image you want in result.
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